Database for papers of physical piano performance
公開日： 2024年1月23日火曜日
Nowadays, advances in science and technology have enabled us to solve various problems using scientific approaches. Piano performance is no exception to this. However, not much is known about the fact that such research is being conducted in the first place, let alone the research results that have been revealed.
In order to resolve this situation, I decided to collect papers related to the physical piano performance and create a database.
Currently, the main researchers I'm forcusing on are as follows (Random order, titles omitted).
- Werner Goebl (Professor at the Vienna State University of Music)
- Caroline Palmer (Professor at McGill University)
- Peter E. Keller (Professor at Aarhus University)
- Eckart Altenmüller (Professor at the Hochschule für Musik Hannover)
- Shinichi Furuya (Researcher at Sony Computer Science Laboratories)
Please use this database to raise the baseline of knowledge or to investigate previous research regarding piano performance.
(You can sort table when clicking the table head.)
Database
Last updated on January 24, 2024| Year | Title | Authors | Journal | |
|---|---|---|---|---|
| 2024 | Active perceptual learning involves motor exploration and predictive sensory integration | Hirano M, Furuya S | iScience |
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| 2023 | Behavioral and physiological fatigue-related factors influencing timing and force control learning in pianists | Takemi M, Akahosi M, Ushiba J, Furuya S | Scientific Reports |
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| 2023 | Brain network flexibility as a predictor of skilled musical performance | Uehara K, Yasuhara M, Koguchi J, Oku T, Shiotani S, Morise M, Furuya S | Cerebral Cortex |
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| 2023 | Passive somatosensory training enhances motor skill of piano playing in adolescent and adult pianists | Furuya S, Tanibuchi R, Nishioka H, Kimoto Y, Hirano M, Oku T | Annals of the New York Academy of Science |
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| 2023 | The effects of anxiety on practice behaviors and performance quality in expert pianists | E Passarotto, F Worschech, E Altenmuller | Frontiers in Psychology |
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| 2022 | Adaptation of the corticomuscular and biomechanical systems of pianists | Kimoto Y, Hirano M, Furuya S | Cerebral Cortex |
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| 2022 | Multisensory interactions on auditory and somatosensory information in expert pianists | Hirano M, Furuya S | Scientific Reports |
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| 2022 | Noncontact and high-precision sensing system for piano keys identified fingerprints of virtuosity | Oku T, Furuya S | Sensors |
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| 2022 | Piano | R Parncutt, W Goebl | OXFORD ACADEMIC |
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| 2022 | Plyometric training enhances strength and precision of the finger movements in pianists | Muramatsu K, Oku T, Furuya S | Scientific Reports |
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| 2021 | Back to feedback: aberrant sensorimotor control in music performance under pressure | Furuya S, Ishimaru R, Oku T, Nagata N | Communications Biology |
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| 2021 | Factors of choking under pressure in musicians | Furuya S*, Ishimaru R*, Nagata N | PLoS One |
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| 2020 | Overcoming the ceiling effects of experts’ motor expertise through active haptic training | Hirano M, Sakurada M, Furuya S | Science Advances |
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| 2020 | Physiological and behavioural factors in musicians' performance tempo. | SE Wright, C Palmer | Frontiers in Human Neuroscience |
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| 2020 | Soft exoskeleton glove with human anatomical architecture: production of dexterous finger movements and skillful piano performance | Takahashi N, Furuya S, Koike H | IEEE Transaction on Haptics |
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| 2020 | Specialized somatosensory-motor integration functions in musicians | Hirano M, Kimoto Y, Furuya S | Cerebral Cortex |
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| 2019 | Brain mechanisms of motor control in musicians | E Altenmuller | Le Rythme |
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| 2019 | Neuromuscular and biomechanical functions subserving finger dexterity in musicians | Kimoto Y, Oku T, Furuya S | Scientific Reports |
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| 2019 | On the one hand or on the other: trade-off in timing precision in bimanual musical scale playing | FT Van Vugt, E Altenmuller | Advances in Cognitive Psychology |
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| 2018 | Dissociable effects of practice variability on learning motor and timing skills | B Caramiaux, F Bevilacqua, MM Wanderley, C Palmer | PloS one |
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| 2018 | Individual differences in sensorimotor skills among musicians | Furuya S | Current Opinion in Behavioral Sciences |
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| 2018 | Musical genre-dependent behavioural and EEG signatures of action planning. A comparison between classical and jazz pianists | R Bianco, G Novembre, PE Keller, A Villringer, D Sammler | Neuroimage |
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| 2018 | Temporal exploration in sequential movements shapes efficient neuromuscular control | Furuya S*, Yokota S* | Journal of Neurophysiology |
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| 2018 | The acquisition of skilled finger movements is accompanied by the reorganization of the corticospinal system | Hirano M, Kubota S, Furuya S, Koizume Y, Tanaka S, and Funase K | Journal of Neurophysiology |
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| 2017 | Expertise-dependent motor somatotopy of music perception | Furukawa Y, Uehara K, Furuya S | Neuroscience Letters |
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| 2017 | Individuality in piano performance depends on skill learning | B Caramiaux, F Bevilacqua, C Palmer, M Wanderley | Proceedings of the |
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| 2017 | Movement and Touch in Piano Performance | W Goebl | Handbook of Human Motion |
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| 2017 | Skillful force control in expert pianists | Oku T*, Furuya S* | Experimental Brain Research |
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| 2017 | The Vienna 4x22 Piano Corpus | W Goebl | mdw |
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| 2016 | Brain plasticity and the concept of metaplasticity in skilled musicians | Altenmuller E, Furuya S | Advances in Experimental Medicine and Biology |
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| 2016 | Kinematic origins of motor inconsistency in expert pianists | Tominaga K, Lee A, Altenmuller E, Miyazaki F, Furuya S | PLoS One |
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| 2016 | Shared somatosensory and motor functions in musicians | Hosoda M, Furuya S | Scientific Reports |
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| 2016 | The art of sight-reading: Influence of practice, playing tempo, complexity and cognitive skills on the eye?hand span in pianists | S Rosemann, E Altenmuller, M Fahle | Psychology of Music |
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| 2015 | Alexander Scriabin: his chronic right-hand pain and Its impact on his piano compositions | E Altenmuller | Progress in brain research |
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| 2015 | Distinct digit kinematics by professional and amateur pianists | Winges SA, Furuya S | Neuroscience |
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| 2015 | Secrets of virtuoso: neuromuscular attributes of motor virtuosity in expert musicians | Furuya S, Oku T, Miyazaki F, Kinoshita H | Scientific Reports |
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| 2014 | Acquisition of individuated finger movements through musical practice | Furuya S, Nakamura A, Nagata N | Neuroscience-454 |
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| 2014 | Ceiling effects prevent further improvement of transcranial stimulation in skilled musicians | Furuya S, Klaus M, Nitsche MA, Paulus W, Altenmuller E | The Journal of Neuroscience |
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| 2014 | Empirically Assessing Rhythmic Entrainment: A Re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas” | W Goebl | Empirical Musicology Review |
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| 2014 | Expert pianists do not listen: the expertise-dependent influence of temporal perturbation on the production of sequential movements | van der Steen MC, Molendijk EBD, Altenmuller E, Furuya S | Neuroscience |
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| 2014 | Extraction of finger coordination pattern associated with motor learning in piano practice using principal component analysis | Furuya S, Nakamura A, Nagata N | Neuroscience Letters |
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| 2014 | Long-range correlation properties in timing of skilled piano performance: the influence of auditory feedback and deep brain stimulation | M Herrojo Ruiz, SB Hong, H Hennig, E Altenmuller, AA Kuhn | Frontiers in Psychology |
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| 2014 | Perception of touch quality in piano tones | W Goebl, R Bresin, I Fujinaga | Journal of the Acoustical Society of America |
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| 2014 | Playing beautifully when you have to be fast: spatial and temporal symmetries of movement patterns in skilled piano performance at different tempi | van Vugt FT, Furuya S, Vauth H, Jabusch HC, Altenmuller E | Experimental Brain Research |
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| 2013 | Auditory and motor imagery modulate learning in music performance | RM Brown, C Palmer | Frontiers in human neuroscience |
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| 2013 | Early optimization in finger dexterity of skilled pianists: implication of transcranial stimulation | Furuya S, Nitsche MA, Paulus W, Altenmuller E | BMC Neuroscience |
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| 2013 | Flexibility of movement organization in piano performance | Furuya S, Altenmuller E | Frontiers in Human Neuroscience |
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| 2013 | Patterns of muscle activity for digital coarticulation | Winges SA, Furuya S, Faber NJ, Flanders M | Journal of Neurophysiology |
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| 2013 | Sight-reading in skilled pianists: Eye-hand span is independent of practice but associated with the musicians’ cognitive abilites | S Rosemann, E Altenmuller, D Trenner, M Fahle | PERCEPTION |
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| 2013 | Temporal Control and Hand Movement Efficiency in Skilled Music Performance | W Goebl, C Palmer | PLOS ONE |
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| 2013 | Transfer of piano practice in fast performance of skilled finger movements | Furuya S, Nakamura A, Nagata N | BMC Neuroscience |
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| 2013 | ピアノ演奏スキルの解明-ピアノ未経験者の短期訓練による学習効果の実験的検証- | 中村あゆみ，古屋晋一，合田竜志，巳波弘佳，長田典子 | 計測自動制御学会論文集 |
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| 2012 | Auditory?motor learning influences auditory memory for music | RM Brown, C Palmer | Memory & Cognition |
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| 2012 | Examining finger-wrist joint-angle structure in piano playing | W Goebl, C Palmer | 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM) |
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| 2012 | Fingers phrase music differently: Trial-to-trial variability in piano scale playing and auditory perception reveal motor chunking | FT Van Vugt, HC Jabusch, E Altenmuller | Frontiers in Psychology |
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| 2012 | Individual differences in the biomechanical effect of loudness and tempo on upper-limb movements during repetitive piano keystrokes | Furuya S, Aoki T, Nakahara H, Kinoshita H | Human Movement Science |
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| 2012 | No disadvantage for left-handed musicians: The relationship between handedness, perceived constraints and performance-related skills in string players and pianists | R Kopiez, HC Jabusch, N Galley, JC Homann, AC Lehmann, ... | Psychology of Music |
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| 2012 | Probing neural mechanisms of music perception, cognition, and performance using multivariate decoding | Schaefer RS, Furuya S, Smith LM, Kaneshiro BB, Toiviainen P | Psychomusicology |
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| 2012 | Sensorimotor mechanisms in music performance: actions that go partially wrong | C Palmer, B Mathias, M Anderson | Annals of the New York Academy of Sciences |
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| 2012 | Speed invariance of independent control of finger movements in pianists | Furuya S, Soechting J | Journal of Neurophysiology |
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| 2011 | Attentional foci in piano performance | FPH Cheng, P Heis, M Grosbach, E Altenmuller | International Symposium on Performance Science. In A. Williamon |
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| 2011 | Die ungleichzeitige Gleichzeitigkeit des Spiels: Tempo rubato in Magaloffs Chopin und andere Ansynchronizitaten | W Goebl | Gemessene Interpretation ? Computergestutzte Auffuhrungsanalyse im?… |
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| 2011 | Distinct interjoint coordination during fast alternate keystrokes in pianists with superior skill | Furuya S, Goda T, Katayose H, Miwa H, Nagata N | Frontiers in Human Neuroscience |
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| 2011 | Hand kinematics of piano playing | Furuya S, Flanders M, Soechting J | Journal of Neurophysiology |
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| 2011 | Rate effects on timing, key velocity, and finger kinematics in piano performance | S Dalla Bella, C Palmer | PloS one |
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| 2011 | 楽器演奏のパフォーマンスを阻害する筋収縮 | 古屋晋一 | バイオメカニズム学会誌 |
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| 2010 | Analyzing finger motion in piano performance: Touch and tempo effects | W Goebl, C Palmer | Proceedings of the Second Vienna Talk on Music Acoustics |
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| 2010 | Auditory imagery shapes movement timing and kinematics: evidence from a musical task. | PE Keller, S Dalla Bella, I Koch | Journal of Experimental Psychology: Human Perception and Performance |
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| 2010 | Control of multi-joint arm movements for the manipulation of touch in keystroke by expert pianists | Furuya S, Altenmuller E, Katayose H, Kinoshita H | BMC Neuroscience |
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| 2010 | Investigations of between-hand synchronization in Magaloff's Chopin | W Goebl, S Flossmann, G Widmer | Computer Music Journal |
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| 2010 | Psycho-physiological responses to expressive piano performance | Nakahara H, Furuya S, Francis PR, Kinoshita H | International Journal of Psychophysiology |
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| 2010 | Role of auditory feedback in the control of successive keystrokes during piano playing | Furuya S, Soechting J | Experimental Brain Research |
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| 2010 | Self versus other in piano performance: detectability of timing perturbations depends on personal playing style | BH Repp, PE Keller | Experimental brain research |
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| 2010 | The Magaloff project: An interim report | S Flossmann, W Goebl, M Grachten, B Niedermayer, G Widmer | Journal of New Music Research |
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| 2010 | モーションキャプチャと筋電図解析を用いたピアノ演奏における連続指運動スキルの解明 | 合田竜志、古屋晋一、片寄晴弘、長田典子 | 情報処理学会 創立５０周年記念全国大会 |
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| 2009 | Computational investigations into between-hand synchronization in piano playing: Magaloff’s complete Chopin | W Goebl, S Flossmann, G Widmer | Proceedings of the SMC |
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| 2009 | Detecting wrong notes in advance: neuronal correlates of error monitoring in pianists | MH Ruiz, HC Jabusch, E Altenmuller | Cerebral cortex |
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| 2009 | Effective utilization of gravity during arm downswing in keystroke by expert pianists | Furuya S, Osu R, Kinoshita H | Neuroscience |
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| 2009 | Emotion-related changes in heart rate and its variability during perception and performance of music | Nakahara H, Furuya S, Obata S, Masuko T, Kinoshita H | Annals of the New York Academy of Sciences |
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| 2009 | Fast feedforward error-detection mechanisms in highly skilled music performance | MH Ruiz, HC Jabusch, E Altenmuller | Proceedings of the International Symposium on Performance Science |
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| 2009 | Finger motion in piano performance: Touch and tempo | W Goebl, C Palmer | International Symposium on Performance Science |
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| 2009 | Maintaining skill across the life span: Magaloff’s entire Chopin at age 77 | S Flossmann, W Goebl, G Widmer | Proceedings of the International Symposium on Performance Science |
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| 2009 | On the Use of Computational Methods for Expressive Music Performance | W Goebl, G Widmer | Modern Methods for Musicology: Prospects |
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| 2009 | Sequential and biomechanical factors constrain timing and motion in tapping | JD Loehr, C Palmer | Journal of Motor Behavior |
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| 2009 | The influence of practice on the development of motor skills in pianists: A longitudinal study in a selected motor task | HC Jabusch, H Alpers, R Kopiez, H Vauth, E Altenmuller | Human movement science |
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| 2009 | ピアノ演奏の身体運動制御―音楽演奏科学の提案 | 古屋晋一 | システム/制御/情報 |
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| 2008 | Do key-bottom sounds distinguish piano tones? | W Goebl, I Fujinaga | Proceedings of the International Conference on Music Perception and Cognition |
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| 2008 | Expertise-dependent modulation of muscular and non-muscular torques in multi-joint arm movements during piano keystroke | Furuya S, Kinoshita H | Neuroscience |
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| 2008 | Organization of the upper limb movement for piano key-depression differs between expert pianists and novice players | Furuya S, Kinoshita H | Experimental Brain Research |
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| 2008 | Tactile feedback and timing accuracy in piano performance | W Goebl, C Palmer | Experimental Brain Research |
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| 2008 | ピアノ打鍵動作の熟練技能:「重量奏法」の科学的検証 | 古屋晋一、片寄晴弘、木下博 | 人工知能学会第二種研究会資料 |
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| 2008 | 熟練ピアニストの「しなやかな打鍵動作」の力学メカニズム | 古屋晋一、片寄晴弘、木下博 | 人工知能学会第二種研究会資料 |
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| 2007 | Biographical predictors of music-related motor skills in children pianists | HC Jabusch, R Yong, E Altenmuller | International Symposium on Performance Science |
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| 2007 | Characteristics of keystroke force in the piano | Kinoshita H, Furuya S, Aoki T, Nakahara H, Altenmuller E | Journal of Biomechanics |
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| 2007 | Cognitive and biomechanical influences in pianists’ finger tapping | JD Loehr, C Palmer | Experimental brain research |
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| 2007 | Loudness control in pianists as exemplified in keystroke force measurements at different touches | Kinoshita H, Furuya S, Aoki T, Altenmuller E | Journal of the Acoustical Society of America |
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| 2007 | Roles of proximal-to-distal sequential organization of the upper limb segments in striking the keys by expert pianists | Furuya S, Kinoshita H | Neuroscience Letters |
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| 2007 | 一流ピアニストの打鍵動作における相互作用トルクの利用 | 古屋晋一、木下博 | 音楽知覚認知研究 |
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| 2006 | Anticipatory motion in piano performance | W Goebl, C Palmer | The Journal of the Acoustical Society of America |
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| 2006 | Shared networks for auditory and motor processing in professional pianists: evidence from fMRI conjunction | M Bangert, T Peschel, G Schlaug, M Rotte, D Drescher, H Hinrichs, ... | Neuroimage |
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| 2006 | Unobstrusive practice tools for pianists | W Goebl, G Widmer | Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC9) |
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| 2006 | 熟練ピアニストによるピアノの打鍵テンポと音量の調節に関わる運動制御 | 古屋晋一、青木朋子、木下博 | バイオメカニズム学会誌 |
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| 2005 | Finger-tapping ability in male and female pianists and nonmusician controls | Aoki T, Furuya S, Kinoshita H | Motor Control |
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| 2005 | Touch and temporal behavior of grand piano actions | W Goebl, R Bresin, A Galembo | The Journal of the Acoustical Society of America |
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| 2005 | Transmodal sensorimotor networks during action observation in professional pianists | B Haslinger, P Erhard, E Altenmuller, U Schroeder, H Boecker, ... | Journal of cognitive neuroscience |
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| 2004 | Effects of auditory and motor mental practice in memorized piano performance | Z Highben, C Palmer | Bulletin of the Council for Research in Music Education |
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| 2004 | Exploring expressive performance trajectories: Six famous pianists play six Chopin pieces | W Goebl, E Pampalk, G Widmer | Proceedings of the 8th International Conference on Music Perception and Cognition (ICMPC’04) |
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| 2004 | Movement amplitude and tempo change in piano performance | C Palmer, S Dalla Bella | The Journal of the Acoustical Society of America |
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| 2004 | Once again: The perception of piano touch and tone. Can touch audibly change piano sound independently of intensity | W Goebl, R Bresin, A Galembo | Proceedings of the International Symposium on Musical Acoustics |
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| 2004 | Piano-training induces audio-sensorymotor coupling in the cerebral cortex: an EEG and fMRI Study | M Bangert, E Altenmuller, T Peschel, M Rotte, D Drescher, H Hinrichs, ... | Aktuelle Neurologie |
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| 2004 | Reduced recruitment of motor association areas during bimanual coordination in concert pianists | B Haslinger, P Erhard, E Altenmuller, A Hennenlotter, M Schwaiger, ... | Human brain mapping |
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| 2004 | Superior tactile performance and learning in professional pianists: evidence for meta‐plasticity in musicians | P Ragert, A Schmidt, E Altenmuller, HR Dinse | European journal of neuroscience |
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| 2004 | Tempo and dynamics in piano performance: The role of movement amplitude | S Dalla Bella, C Palmer | Proceedings of the International Conference on Music Perception and Cognition |
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| 2004 | Transmodal sensorimotor networks during action observation in professional pianists | B Haslinger, P Erhard, E Altenmuller, U Schroeder, H Boecker, ... | Aktuelle Neurologie |
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| 2003 | Mapping perception to action in piano practice: a longitudinal DC-EEG study | M Bangert, EO Altenmuller | BMC neuroscience |
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| 2003 | Stability of motor programs during a state of meditation: electrocortical activity in a pianist playing ‘Vexations’ by Erik Satie continuously for 28 hours | C Kohlmetz, R Kopiez, E Altenmuller | Psychology of Music |
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| 2003 | Tempo and loudness analysis of a continuous 28-hour performance of erik satie’s composition “vexations” | R Kopiez, M Bangert, W Goebl, E Altenmuller | Journal of New Music Research |
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| 2003 | The piano action as the performer’s interface: Timing properties, dynamic behaviour, and the performer’s possibilities | W Goebl, R Bresin, A Galembo | Conference: SMAC 03, Stockholm Music Acoustics Conference |
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| 2003 | The role of timing and intensity in the production and perception of melody in expressive piano performance | W Goebl | Karl-Franzens-Universitat Graz |
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| 2001 | Analysis of tempo classes in performances of Mozart sonatas | W Goebl, S Dixon | ISSCM & ICCM, Jyvaskyla |
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| 2001 | Melody lead in piano performance: Expressive device or artifact? | W Goebl | The Journal of the Acoustical Society of America |
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| 2000 | Conceptual and motor learning in music performance | C Palmer, RK Meyer | Psychological Science |
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| 2000 | Skilled piano performance: Melody lead caused by dynamic differentiation | W Goebl | Proc. of the 6th Int. Conf. on Music Perception and Cognition |
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| 1999 | Analysis of piano performance: towards a common performance standard? | W Goebl | Proceedings of the Society of Music Perception and Cognition Conference (SMPC99) |
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| 1998 | Assessment of dynamic finger forces in pianists: effects of training and expertise | D Parlitz, T Peschel, E Altenmuller | Journal of biomechanics |
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| 1991 | Accent structures in the reproduction of simple tunes by children and adult pianists | C Drake, WJ Dowling, C Palmer | Music Perception |
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| 1991 | Investigations in the amplitude of sounded piano tones | C Palmer, JC Brown | The Journal of the Acoustical Society of America |
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| 1989 | Influence of hammer velocity in piano sound | C Palmer, J Brown | The Journal of the Acoustical Society of America |
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| 1989 | Timing in skilled piano performance | C Palmer | The Journal of the Acoustical Society of America |
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| 1987 | Effects of interpretation on timing in piano performance | C Palmer | The Journal of the Acoustical Society of America |
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| 1986 | Methods of articulation in piano performance | C Palmer | The Journal of the Acoustical Society of America |
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☆: I have the article in press.
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